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"Auki
Pacha"
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| 01.Auki Pacha | |
| 02.Huasicama | |
| 03.Chovena Oriental | |
| 04.Hojita Verde | |
| 05.Moreno Mayor | |
| 06.Festejo a Jumechi | |
| 07.Sankayo Cacharpaya | |
| 08.Gazela | |
| 09.Morenos de Oruro | |
| 10.Wayno Ch'uta | |
| 11.Chiriwano | |
| 12.Ruperta | |
| 13.Lakitas |
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"Anata"
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| 01 - Pasna Qoyacha | |
| 02 - Pucaicha | |
| 03 - Cacharpaya De Moco Moco | |
| 04 - Mi Palomar | |
| 05 - Camachitu de huancan | |
| 06 - Peshte Longuita | |
| 07 - Pandilla De Copacabana | |
| 08 - Chimbaloma Cayadora | |
| 09 - Juventud Catacora | |
| 10 - Canchiniso | |
| 11 - Tres De Mayo | |
| 12 - Quinchu Cajas II | |
| 13 - Sikuri De Italaque | |
| 14 - Prisionero Del Destino | |
| 15 - Carnaval de achiri |
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"Quechua
Music"
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| 01 - Nuca Llacta | |
| 02 -Nanda Manachi | |
| 03 - Alzando El Pañuelo | |
| 04 - Coraza Armay Chischi Changa Marcana | |
| 05 - Kimsa Puralla Huauquicuna | |
| 06 - La Gran Marcha | |
| 07 - Pusakapuway | |
| 08 - Llaki Shungulla | |
| 09 - Q'eros | |
| 10 - Camba Cusa | |
| 11 - Achimamita | |
| 12 - Chimba Loma | |
| 13 - Carabuela | |
| 14 - San Juan Capilla | |
| 15 - Wat'isanka | |
| 16 - Rabanito |
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"Tinkuna"
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| 01 - Danza Inca | |
| 02 - Golpes De La Vida | |
| 03 - Suri Sikuris | |
| 04 - Carnaval Huamanguino | |
| 05 - El Alizal | |
| 06 - Penas | |
| 07 - Recuerdos De Chuma | |
| 08 - Destino Fatal | |
| 09 - Rioabajeca | |
| 10 - Jacha Sikuris | |
| 11 - Callawaya | |
| 12 - El Casamiento De Los Runas | |
| 13 - Quilimayo | |
| 14 - Llamero | |
| 15 - Juanatia | |
| 16 - Ch'ecupe Plaza Chapi | |
| 17 - Cerro Viscachani | |
| 18 - Ilumantio |
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"Winayataqui"
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| 01 - Sacsaywaman | |
| 02 - Sankayo Pankara | |
| 03 - Quinchu Cajas Cushijushun Achimamita | |
| 04 - San Miguel De Chulima | |
| 05 - Achal Cuchi | |
| 07 - Khoyaylla | |
| 08 - Phusi Pias De Totorani | |
| 09 - Chayantenita | |
| 10 - Chiriwanos De Tambocusi | |
| 11 - San Pedro De Parijana | |
| 12 - Todosantos De Ocuri | |
| 13 - Cerro Majmani | |
| 14 - Tu Pobre Negro | |
| 15 - Q'anchis Varayoj | |
| 16 - Huallpa Changa | |
| 17 - Machulas K'antu |
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1981
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"Winayataqui"
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| 01 - Chupizinatay Yacuy | |
| 02 - Pandillero Puneño | |
| 03 - Cushijushun Ac | |
| 04 - San Miguel De Chulima | |
| 05 - Sacsaywaman | |
| 06 - Q'anchis Varajyo | |
| 07 - Machulas Kantu | |
| 08 - Khoyaylla | |
| 09 - Sancayo Pankara | |
| 10. | |
| 11 - Llaki Shungulla | |
| 12 - Q'ara Chuncho Recuerdos | |
| 13 - Todosantos De Ocuri | |
| 14 - Chayantenita | |
| 15 - Q'eros | |
| 16 - Pusakapuway | |
| 17 - Recuerdos De Canderave | |
| 18 - Wat'isanka | |
| 19 - San Pedro De Parijana | |
| 20 - Chiriwanos De Tambocusi | |
| 21 - Huallpa Changa | |
| 22 - Cerro Majmani | |
| 23 - Achal Cuchi | |
| 24 - Sartañani | |
| 25 - Tu Pobre Negro | |
| 26 - Phusi Pias De Totorani |
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"Sartanani"
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| 01 - Minerito | |
| 02 - Carnaval Ayacuchano | |
| 03 - Recuerdos de Canderave | |
| 04 - La venada | |
| 05 - Korimpisa Trokaquirisma | |
| 06 - Atahuallpa | |
| 07 - Pandillero Puneño | |
| 08 - Salaque | |
| 09 - Kory Pilpinto | |
| 10 - Chupizinatay Yacuy | |
| 11 - Chofercito | |
| 12 - Corpus de Umala | |
| 13 - Puñales | |
| 14 - Silla Mula | |
| 15 - Chunchu Qeros | |
| 16 - Helme |
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"Pak'cha"
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| 01 - Campanitas de Punyaro | |
| 02 - Pharilla Phallcha | |
| 03 - Wayranguita | |
| 04 - Lunarejitu | |
| 05 - Jatari Quilotoa | |
| 06 - Mank'a Phaya | |
| 07 - Flores para la Mamita | |
| 08 - Pascualitay | |
| 09 - Quilluag | |
| 10 - Color Ponchito | |
| 11 - Kaska Añuthaya | |
| 12 - Manzana Pata | |
| 13 - Karallanta | |
| 14 - Condorcito | |
| 15 - Huaylas de san Mateo | |
| 16 - Recuerdos De Cope |
| Bolivia Manta Carlos and Julio Arguedas founded Bolivia Manta to help preserve and promote the traditions of the indigenous communities of the Andes. "When the Spaniards arrived," notes the group, "thousands of men were uprooted from their communities and condemned to work in the towns and mining centers. Exploited, despised, they continued to play and the music endured through time, getting richer from the influences that mixed in with it." As is often the case with groups that strive to promote Native culture, they have experienced political and economic difficulties in their home country that forced them to live in exile in Europe. "Forced to give up part of ourselves, we leave in increasing numbers, pushed on by need and the hope of leading a less miserable life. When our exile and our loneliness are at their deepest, the music is there like a call that revives within us a world full of excitement and deep feelings." |
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