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"Pueblo
de piedra"
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01 - Chimbalito
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| 02 - Iscanwaya | |
| 03 - Hermano chay | |
| 04 - Cuna de espinas | |
| 05 - No se muere nunca | |
| 06 - Machu Picchu | |
| 07 - Carnaval Chapaco | |
| 08 - Tema de amor | |
| 09 - Bailecito | |
| 10 - Cantica de Leandro Caldera |
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"Tierra
Mestiza"
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01 - Palomita
laicu laicu
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| 02 - Cacharpaya del exilio | |
| 03 - Jacku | |
| 04 - Linda potosina | |
| 05 - Carnaval del valle | |
| 06 - Wasi ponguito | |
| 07 - Curti punchu | |
| 08 - Guambrita | |
| 09 - Tierra aymara | |
| 10 - Como un grito de lucha | |
| 11 - Tierra mestiza |
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"Takiririllasu" |
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| 02 - Illampu | |
| 03 - Cielo Y Montana | |
| 04 - Tinkuna | |
| 05 - Nostalgia Del Pirai | |
| 06 - Tres Versos Para Un Historia | |
| 07 - Isla Del Sol | |
| 08 - Mama Florencia | |
| 09 - Negra Del Alma | |
| 10 - Manzana Pata | |
| 11 - Arpita Venezolana | |
| 12 - Chacareras | |
| 13 - Khaluyos | |
| 14 - Pascua Linda |
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"Antologia"
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01 - Cielo
y montana
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| 02 - El Sicuri | |
| 03 - Pascua linda | |
| 04 - Akullicu | |
| 05 - Atahuallpa | |
| 06 - Flor de Cana | |
| 07 - Condor Pasa | |
| 08 - Fantasia incaica | |
| 09 - Mapuche auca | |
| 10 - Matita de Aji | |
| 11 - Pachamama | |
| 12 - Pueblo antiguo | |
| 13 - Lagrimas del kusillo | |
| 14 - Canto al trabajador | |
| 15 - Puerto del sol | |
| 16 - Recuerdos del charango | |
| 17 - El Canelazo | |
| 18 - Mujeres y ninos | |
| 19 - Zuriki | |
| 20 - Chacareras |
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"Live
at Edinburgh Festival"
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01 - K'arallanta
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| 02 - El Eco | |
| 03 - Zuriki | |
| 04 - Canto El Trabajador | |
| 05 - La Partida | |
| 06 - El Condor Pasa | |
| 07 - Puerta Del Sol | |
| 08 -Volver A Los Diecisiete | |
| 09 - Hoja De Coca | |
| 10 - Caripuyo Torrecita | |
| 11 - Leno Verde |
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"Urupampa"
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01 - Urupampa
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| 02 - El Canelazo | |
| 03 - La Charla De Jilakata | |
| 04 - Amanecer | |
| 05 - Pajonal-Paisaje Andino | |
| 06 - Los Mineros | |
| 07 - No Se Muere Nunca | |
| 08 - El Picaflor | |
| 09 - Amazonas | |
| 10 - Arroyito Cantor | |
| 11 - El Castillo | |
| 12 - La Despedida |
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"Escuchemos
Las Montanas"
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01 - Karallanta
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| 02 - Tempestad | |
| 03 - El Picaflor | |
| 04 - Volver A Los 17 | |
| 05 - Chaca-Bailecito | |
| 06 - Despedida | |
| 07 - Amazonas | |
| 08 - Amanecer | |
| 09 - Jenecheru | |
| 10 - Cueca Del Panuelo |
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"Pachakuti"
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| 01 - Pachakuti |
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| 02 - 5 siglos | |
| 03 - Pajarillos | |
| 04 - Bolero No. 7 | |
| 05 - Cuena del paсuelo | |
| 06 - Cuzco | |
| 07 - Llaqui sonkolla | |
| 08 - Inutilmente | |
| 09 - Cuena del sur | |
| 10 - Ch'isi | |
| 11 - Riberalta | |
| 12 - Altiplano |
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"Lo
Mejor"
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| 01 - Tempestad |
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| 02 - Despedida | |
| 03 - Karallanta | |
| 04 - Amazonas | |
| 05 - Chimbalito | |
| 06 - Iscanwaya | |
| 07 - Machu Picchu | |
| 08 - Jenecheru | |
| 09 - Hermano Chay | |
| 10 - No se muere nunca | |
| 11 - Palomita Laicu Laicu | |
| 12 - Curti punchu | |
| 13 - Jacku | |
| 14 -Amanecer | |
| 15 - Tierra aymara | |
| 16 - Linda potosina |
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"Pachamama"
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01 - Pachamama
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| 02 - La Partida | |
| 03 - A Cordoba | |
| 04 - Karallanta | |
| 05 - Al Zafrero | |
| 06 - Volver A Los | |
| 07 - Puerto Del Sol | |
| 08 - Recuerdos Del Charango | |
| 09 - Pueblo Antiguo | |
| 10 - Sicoyas | |
| 11 - Lagrimas Del Kusillo | |
| 12 - Canto Al Trabajador |
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"City
of Stone"
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01 - Chascarawi
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| 02 - Flor de Caсa | |
| 03 - El sicuri | |
| 04 - Caripuyo Torrecita | |
| 05 - Fantasia Incaica | |
| 06 - Condor Pasa | |
| 07 - Machu Pichu | |
| 08 - Carnaval del Valle | |
| 09 - Corti Poncho | |
| 10 - La Guambrita | |
| Rumillajta meaning 'City of Stone' in Quechua (one of the most widely spoken languages in the Andean region) were formed in 1979 by five excellent Bolivian musicians including the famous singer Edgar Villarroel (from Inti Raymi, Mallku de los Andes, Roberto Pla and his Latin Ensemble and Los K'jarkas). Rumillajta were one of the first ever Andean bands to record for an international record label thus gaining popular appeal. City of Stone, Rumillajta's first album gave birth to Tumi Music and contains the raw feel of Andean music taking the listener to the heart of the Andes with traditional songs such as El Condor Pasa. |
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"Wiracocha"
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01 - Tempestad
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| 02 - Mujeres y niсos | |
| 03 - El condor vuelve | |
| 04 - Hermano Chay | |
| 05 - Caldeiras | |
| 06 - Wiracocha | |
| 07 - Encuentros | |
| 08 - La deuda externa | |
| 09 - Quebradeсo | |
| 10 - Kayza |
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"Atahuallpa"
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01 - Atahuallpa
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| 02 - Paititi | |
| 03 - Sumac Orcko | |
| 04 - Mapuche Auca | |
| 05 - Th'aki | |
| 06 - Homenaje a Alfredo | |
| 07 - Tawantinsuyo | |
| 08 - Tusuy | |
| 09 - Matita de Aji | |
| 10 - Tierra de Fuego | |
| 11 - Huinca Onal | |
| 12 - Paisaje Oriental | |
| 13 - AkullIcu | |
| 14 - Jallalla |
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"Hoja
De Coca"
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01 - Hoja
De Coca
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| 02 - Leno Verde | |
| 03 - Jacku | |
| 04 - Carnaval De La Feria | |
| 05 - Nina Wara | |
| 06 - Iscanwaya | |
| 07 - Zuriki | |
| 08 - El Eco | |
| 09 - Palomita Laicu Laicu | |
| 10 - Mallku | |
| 11 - Cori | |
| 12 - Mallku Kuntori |
| Biography: Bolivian group Rumillajta, translating as "City Of Stone" in their native Quechua tongue, were founded by charango (Andean mandolin) player Juan Jorge Laura to "raise money to build a school to teach both our culture and something of Europe'. Their concern for the well-being of the Bolivian Aymara and Quechua peoples, subsisting in poverty or working in mine shafts in appalling conditions, remains their central reason for existence, informing the vast majority of their songs. The band was forced to operate from Brazil following the 1980 coup when many of Laura's fellow students and teachers were massacred. They returned eventually, but even now Laura is forbidden from teaching - Rumillajta offering an appropriate alternative outlet for his views. They first toured Europe in 1984, appearing at the Edinburgh Festival and making an immediate impact on audiences with their traditional line up of guitar, charango and pan pipes - with most of the instruments individually constructed by group member Adrian Villaneuva (later they would launch their own product line of flutes, skin drums, pan pipes and charangos). These trips from South America have since become a regular occurrence, though their most celebrated performance came in Washington DC for the United Nations" International Year For The World's Indigenous Peoples, with Guatemalan Nobel Peace Prize winner Rigoberta Menchu in attendance. In South America they also helped develop a co-operative music workshop in La Paz. The group have recorded frequently, and since the 80s have operated their own label. Their 1993 release, Atahualpa is also the name of the last Inca king, deposed in the sixteenth century by the Spanish conquistadors. Its title track implores the dead king to rise from his grave to help his children escape the chains of oppression imposed on them by the invading Europeans. Such angry messages were, as ever, allied to the seductive passages of melody and rhythm which have ironically won them many fans in the countries that were once their colonisers. Discography: |
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